Jared Davidson

Blood and Dirt: Prison Labour and the Making of New Zealand (BWB) has been out for four months now, and the positive feedback has been amaz...

Recently I was lucky enough to be interviewed for Some Archives , an artist book designed, printed and edited by Tia Ebert. Some Archives f...

Below is my chapter for  Public Knowledge , first published by Freerange Press in December 2019. You can purchase the book from the Freerang...

A wreath made from fallen Kauri tree leaves commemorates Anzac Day in a driveway in Auckland, New Zealand. Photograph: Fiona Goodall/Getty...

Joshua Clover on the commune : “When I say commune, I really don’t mean what the common associations of that. I don’t mean the Paris Comm...

"It is counterproductive to identify individuals as members of this class or that class, in the manner of Madame Defarge in Dicken’s ...

Excerpt from 'Historicizing the Global, Politicizing Capital: Giving the Present a Name' by Geoff Eley, History Workshop Journal ...

This article was first published in the November 2017 edition of the LHP Bulletin , which had precarious work as its theme. Other articl...

I am stoked to announce that my paper, ' The Colonial Continuum: Archives, Access and Power ' was awarded the 2016 Michael Standi...

  Our whānau has just returned from a four-day camp for those who unschool or practice natural/child-led learning. Held at Foxton Beach ...