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Showing posts with label radical art. Show all posts
Showing posts with label radical art. Show all posts

Thursday, October 29, 2015

I designed a poster...


It's been a while, but here's my latest poster for the Labour History Project. It's a play on Lenin's famous text, the red flag, etc etc.

If you're in Wellington make sure to get to this event and help support the work of the LHP: http://www.lhp.org.nz/?p=1208

Saturday, April 11, 2015

Love radical books and ideas? Support AK Press!


 

DONATE HERE: http://www.gofundme.com/akpressfire 
BUY A HALF-PRICE eBOOK: http://www.akpress.org/downloads.html

From AK Press: In the early morning of March 21, the building behind ours caught fire. Two people lost their lives. The fire  moved to the mixed-use warehouse building we share with 1984 Printing and 30+ residents. Everyone in our building got out safely, but several units were completely destroyed. There was extensive water and smoke damage to other units, including the ones occupied by AK Press and 1984 Printing.

On the afternoon of March 24th, the City of Oakland red-tagged our building, which prohibits us from occupying it. We don't know how long this will last, but it obviously means we can't conduct business as usual.

We know how many of you support what AK Press does and the important role it plays in independent and radical publishing. A lot of you have been asking what is the best way to help us in the midst of this chaos and disruption. In fact, the outpouring of support and mutual aid has been pretty damn amazing. There was a small army of people here helping with clean-up over the weekend, and we've already raised some emergency funds from generous donations via PayPal (thank you!!) while we were working out the logistics of coordinating a larger fund drive.

But we and our neighbors can all still use help, and we want to make sure everyone affected benefits from the same kind of mutual aid we have seen. In our case, while we have lost thousands of books and pamphlets, our first concern is the smaller presses who we distribute. Several of them had inventory damaged. We want to make sure we are able to pay them so that they can keep going and reprint their books. Second, we are concerned about all the work we are currently unable to do: the books not being shipped out, the files not getting sent to the printer while we are kept out of the building. We are working out the details of our insurance, of what stock is and isn’t covered, but we won't see any insurance money for quite a while and we’ll definitely need some support until that happens, and to make sure our losses aren't passed on to other publishers we distribute.

Our neighbors at 1984 Printing had a ton of paper, materials, jobs in progress, and computers damaged. Residents of the building lost varying percentages of their belongings. Some lost everything.

So, if you can help, it’s pretty simple: whatever you donate will be evenly split three ways between AK Press, 1984 Printing, and our affected neighbors.

And all of us will be very, very grateful.

Solidarity,
The AK Press Collective



UPDATE #1
It's been almost two weeks since the fire at our warehouse and we know some of you have been waiting for an update and wondering how you can plug into the relief efforts. Very briefly, here is where things stand: our building is still red-tagged by the City of Oakland. We are hopeful that, after more inspections and some repairs are completed, we'll be able to stay. In the meantime we have been able to get some access to our stock and so we have been able to send out orders for titles that weren't damaged. We are still waiting for insurance inspectors to come and review the damage in our unit, and until that happens, we can't make any more progress with clearing out destroyed stock. So at this point there is just a lot of waiting, which we can't do much about, and it means it's going to be a while still before our work can return to any semblance of "normal."

We can't thank you enough for all of the support we've gotten in the last two weeks. Your generous donations to our crowdfunding campaign add up to almost $45,000 so far, and that money will be shared with 1984 Printing and our neighbors in the building who have been displaced by the fire. We plan to give out the first round of checks this week. We're not quite to one-third of our goal, so if you can still donate, please do! Recovering from the fire is going to be a long and difficult process, and your support will help us all get back on our feet sooner.

Besides donating, here are a few things folks can do to help (since some of you have been asking!):
• Spread the word about our fundraiser, even if you can't give yourself.
• Organize a benefit. Maybe you're in a band; maybe you can organize a film screening or a house party. Make it a benefit for our fire relief fund and we'll happily share it on our events calendar. Please understand that we are stretched pretty thin labor-wise at the moment so we probably can't send a collective member to your event, but we'll be ever-so-grateful for your help!
• Bookstores and other retailers: this might be obvious, but if you owe us money, now would be a great time to pay up! We've also heard from stores that want to have benefit events or donate a percentage of a day's sales to our fund, which is amazing and we certainly appreciate the mutual aid!
• And finally, yes, you can still place orders with us! Just understand that there will be slight delays shipping things out, so we appreciate your patience. If you're into this sort of thing, we suggest ordering e-books (which require almost no work to process and you can download instantly). And if you're able to support us more consistently, we would love it if more folks signed up as Friends of AK Press. You can do all of these things at akpress.org.

Thanks again, so much, for your support.
-The AK Press Collective

Saturday, April 4, 2015

Settler colonialism is a structure not an event - woodcut

This is a woodcut I made to illustrate a quote by Patrick Wolfe. Feel free to download and re-use it, or contact me for a high resolution TIFF version.

Monday, June 23, 2014

'Sewing Freedom' finalist for PANZ Best Non-Illustrated Book

http://sewingfreedom.org/

I'm excited to say that my book on early anarchism in Aotearoa New Zealand, Sewing Freedom, is a finalist for the Publishing Association of New Zealand's design award for Best Non-Illustrated Book.

The 2014 PANZ Book Design Awards are the major industry awards in New Zealand to celebrate quality book design. You can learn more about the award and more information here: http://www.bookdesignawards.co.nz/shortlist-2014/#non-illus. Winners are announced at The Sapphire Room, Ponsonby Central in Auckland on 17 July.

Thanks again to everyone who helped in any way, whether putting me up for the night, or for sharing your skills and time. I really appreciate it. I'd especially like to thank Alec Dunn for his amazing illustrations, which he happily contributed to the book for free.

Saturday, March 15, 2014

Saturday, January 18, 2014

Ready for Revolution


AK Press snapped these neat pics of my cover design for Ready for Revolution: The CNT Defense Committees in Barcelona, 1933–1938 by Agustín Guillamón. I think it came out well, but even better is the book. From what I've read of the text (and Barry Pateman's excellent introduction), it's well worth getting. As Stuart Christie blurb notes:

Agustín Guillamón’s latest work, Ready for Revolution, is one of the most illuminating and stimulating books on the CNT to appear since José Peirats’s The CNT in the Spanish Revolution. The structure and role of the union’s defense and action groups is of crucial importance not only in understanding the anarchist core of the CNT unions during that pivotal period in Spain’s history, but it provides today’s industrial, commercial, environmental, and social activists with useful organizational insights—a must have.

 Barry makes a similar point in the introduction:

Chapter 11, “The Barcelona FAI Radicalized by the Defense Committees,” is a wonderful opportunity for the reader to see the various groups discussing the situation they find themselves in. It’s rare to find this type of material in English that is not written from memory and in reflection long after the events described. The discussion leaps off the page and is full of contradiction, confusion, affirmation, and certainty, all served with a high level of sophisticated perception. There is an immediacy to it, not least because these are not the voices of the more sophisticated speakers and writers who we are used to reading, but those of the ordinary militant... This is radical history at its finest as the anarchists attempt to deal with the actions of the Stalinists, their other supposed allies, and the behavior of the CNT’s “higher committees.”

The book is not scared to take a critical look at the events of the Spanish Revolution, and as a result, brings fresh insights to this inspiring period of working class struggle.

You can get your very own copy or e-book here: http://www.akpress.org/ready-for-revolution.html

Wednesday, October 23, 2013

Reds & Wobblies: working-class radicalism & the state



NOTE: An updated and expanded version of this talk, Fighting War, is available here: http://garagecollective.blogspot.co.nz/2014/05/fighting-war-anarchists-wobblies-and.html


In July this year, political commentator Bryce Edwards led a NZ Herald article with the following quote: “Multiple spying scandals and sagas show that New Zealand is suffering from a democratic deficit.” He was, of course, talking about the Kim Dotcom, GCSB and Defence Force surveillance sagas.

That Edwards wrote of democracy in financial terms is both ironic and apt, considering that the protagonists of my talk tonight believed parliament was ruled by economic interests! So in keeping with this language; if democracy is to be judged on its use of surveillance, numerous records in the archives suggest that democracy in New Zealand has often been in the red. In fact, ‘seeing red’ has been a constant factor through New Zealand’s history, especially in times of social and industrial unrest. Working-class radicals who promoted an alternative to capitalism were particularly targeted by those in power. Arguably, those who were most targeted in the early part of the twentieth century were members of the Industrial Workers of the World (known as Wobblies).

During and immediately after the First World War, the actions of Wobblies were heavily scrutinised by the governments of the day, leading to sedition charges, jail time, or deportation from the country.

My talk tonight hopes to look at some of this working class radicalism, and the reaction to it by the state. Much of this activity was centred on the distribution of radical literature–‘mental dynamite’ in the form of penny pamphlets, newspapers, and other ephemera. Ports and postboxes became the battleground for an intense cultural struggle—a struggle that questioned the war, the nature of work, and authority itself. This battle for minds had material results. Intense state surveillance and a raft of legislation not only determined who could read what, but who would be considered a legitimate resident of the so-called ‘workers paradise’ that was New Zealand.

Wobblies 101



The Industrial Workers of the World was founded in the United States in 1905, by a conglomerate of socialists, Marxists and anarchists. Its founders were disenchanted by the craft nature of the American Federation of Labour and its exclusive membership criteria. Instead, the IWW sought to organise all workers, especially the so-called ‘unskilled’ neglected by the AFL. As well as being open to workers of any gender or colour, the IWW promoted the ‘One Big Union,’ a fighting union that—through the solidarity of workers organized along class lines instead of trade, and the tactical use of the strike weapon—would abolish the wage system.

Its widely quoted preamble stated:
The working class and the employing class have nothing in common. There can be no peace so long as hunger and want are found among millions of working people and the few, who make up the employing class, have all the good things of life.

Between these two classes a struggle must go on until the workers of the world organize as a class, take possession of the means of production, and abolish the wage system [1908 Version]
Although the IWW initially promoted both industrial and political action, it split in 1908 over the rejection parliamentary politics. For the Chicago IWW, the political arena was controlled by capital and therefore the place to make change in society was the workplace. As one New Zealand wobbly argued, “Parliament is a mirror reflecting conditions outside. When your face is dirty, do you wash the mirror?”

The IWW advocated building a new world in the shell of the old, which meant how the union and its struggles was conducted were just as important as the outcome. As a result, direct democracy and the curbing of power in the hands of a few was core to the organisation. “The IWW considered a reliance on leadership as fostering dependence amongst the working class,” notes Stuart Moriarty-Patten, whose forthcoming book on the IWW in New Zealand is being published by Rebel Press. New Zealand Wobblies decried the local labour movement as “cursed and hampered by leaders.” Instead, “active, intelligent workers [should] determine to do their own thinking… to fight on all occasions for complete control by the rank and file and against sheep-like following of leaders.”

As a result the IWW was much more than a simple union movement. As well as fighting for better conditions and shorter hours, the IWW fostered education, internationalism, and a radical working class counter-culture through the influential use of song and graphics. Although not without its faults, the appeal of the IWW made it social and cultural movement on an international scale.

The IWW in New Zealand



New Zealand’s first IWW local was formed in Wellington in December 1907, and other locals were formed in Christchurch and Auckland – both of which received official charters from the IWW headquarters in Chicago. Informal groups sprung up in industrial towns such as Huntly, Waihi, and Denniston, and the cultural norms and tactics championed by the Wobblies—such as the general strike, sabotage, and the go-slow—soon spiced the local discourse. The rally-cry of ‘a fair day’s wage’ was dropped for ‘abolish the wage system;’ ‘fellow-worker’ replaced ‘comrade’; and for a period, the New Zealand Federation Of Labor adopted the IWW’s revolutionary preamble.

Bert Roth Collection, Alexander Turnbull Library, Wellington, New Zealand
Pamphlets and newspapers of the IWW had a wide circulation in New Zealand. According to the Secretary of the Waihi branch of the Socialist Party, imported IWW anti-militarist pamphlets were “finding a ready sale” in 1911. Chunks of IWWism and Industrial Unionism, two locally produced pamphlets, sold in quantities of 3,000 and 1,000 copies each, while the Industrial Unionist, newspaper of the New Zealand IWW, reached a circulation of 4,000. These figures do not indicate their true readership however, as workers shared their copies or would read the columns out loud in groups.

As Mark Derby has pointed out, the distribution of cheap printed propaganda was vital to the spread of IWW ideas and tactics. “New Zealand Wobblies relied on the impact of IWW literature such as the Little Red Songbook,” moving from town to town “sowing the seed of rebellion.” This constant agitation bore fruit, and the IWW played a visible part in the strikes that formed the upsurge of militant labour before the First World War.

Wartime activity

However, on the outbreak of war in August 1914, the IWW was fragmented and weakened by the defeat of the 1913 Great Strike. Many of their leading members had fled New Zealand to escape prosecution, but there were still IWW locals in Auckland, Wellington, Denniston and Christchurch. Wobblies continued to soapbox on street corners across the country and were active in the workplace, especially on the waterfront.

Members of the National Ministry of New Zealand. S P Andrew Ltd :Portrait negatives. Ref: 1/1-013626-G. Alexander Turnbull Library, Wellington, New Zealand. http://natlib.govt.nz/records/23134795
Yet times were tough for those openly against militarism and capitalism. The IWW found itself up against a wartime government itching to prove its loyalty to the British Empire. The National Coalition of William Massey and Joseph Ward took measures to clamp down on any non-conformist activity it deemed seditious, using the pretence of war conditions to muzzle dissent—whether it was opposition to conscription (in the form of the 1916 Military Service Act), or highlighting economic conditions at home. Numerous War Regulations empowered the executive branch of the Coalition government to regulate without reference to Parliament.

Richard Hill notes that these regulations, initially used for military purposes, “gradually increased in severity and in political rather than military significance.” For example, war regulations were soon unleashed on socialist speakers and strikes in industries deemed essential to the war effort. Rather tellingly, those convicted of publishing information deemed valuable to the enemy were fined a maximum of £10, while anyone who publicly criticised the actions of the New Zealand government was fined £100 or received twelve months imprisonment with hard labour.

Not surprisingly, Wobblies were targeted due to their advocacy of direct action in the workplace, the fostering of an oppositional working class counter-culture, and their radical critique of militarism. New Zealand’s Crown Prosecutor “repeatedly stressed the distinction between sincere objectors… and ‘parasites’, ‘anarchists’, and other IWW types.” As a result, a number of Wobblies were arrested and given maximum jail time during the war.

Wobblies had been scapegoats for all kinds of scrupulous activity before 1914, but in wartime the press found new ways to discredit the IWW. Hysterical headlines were quick to dub Wobblies as ‘Hirelings of the Huns’ or ‘German-born children of the devil,” and any union radicalism was tarred with the IWW brush.


In one bizarre article, ‘The Critic’ responded to an auctioneer’s listing of ‘famous IWW hens’ in the Manawatu Evening Standard with: “‘IWW hens?’ If these belong to the order of ‘I Wont Work’ they will probably get it where the Square Deal would like to give it to their human prototypes—in the neck!” When the shipping vessel Port Kembla struck a German mine off the coast of Farewell Spit in 1917, one writer in the Ashburton Guardian put it down to pro-German sabotage, stating: “this Dominion is not by any means free of the noxious IWW element… this type of human being should be put out of existence on the first evidence of abnormality.”

Censorship of IWW propaganda


Ironically, scaremongering by the press publicised IWW methods such as the go slow far more than Wobblies could ever have done on their own. The go-slow used by watersiders, miners, drivers, and tramway was a major concern to employers and government, and abhorred as a significant threat to the established economic order. “It is the most serious problem that we face at the present time” wrote Defence Minister James Allen to Massey in January 1917. “[Alexander] Herdman has been taking evidence on behalf of the Police about going-slow… as far as Defence is concerned, if any man is proved to be going slow’ [before a military Service Board] we shall cancel his exemption… we cannot possibly allow this fatal practice to get hold in New Zealand or else the nation is doomed.” Not only did these tactics threaten war profits or the government’s lucrative trading deals with Britain; the go slow questioned the work ethic central to the wage system itself. As a result, the War Regulations of 16 February 1917 included going slow in the category of seditious strikes.

C1 Box 161 36/959/101-120. Archives New Zealand, Wellington, New Zealand
Authorities were also dismayed at the volume of IWW ephemera still finding its way around the country. Bearing such lines as “Fast workers die young” or “Go Slow! Do Not Waste your Life,” IWW stickers peeked out from walls and lampposts across New Zealand. In a cheeky swipe at conscription, one sticker was stuck in the middle of a National Registration poster. As late as 1927, Wellington customs found 125 of these stickers in the baggage of a SS Maheno seaman named Evans.

Thomas Barker. Ref: 1/2-019136-F. Alexander Turnbull Library, Wellington, New Zealand. http://natlib.govt.nz/records/23067556
Another ‘silent agitator’ that caused uproar was a satirical poster by ex-New Zealand Wobbly Tom Barker. ‘To Arms!’ called on “Capitalists, Parsons, Politicians, Landlords, Newspaper Editors and other Stay-At-Home Patriots” to replace the workers in the trenches. Four copies were “smuggled across the Tasman... and pasted up outside the Supreme Court in Wellington,” causing the judge to suspend the court until the offending posters were removed.

AD1 Box 995 51/3. Archives New Zealand, Wellington, New Zealand
Anti-war pamphlets were also making their rounds. “War and the Workers” was a pocket-sized booklet printed by the Auckland IWW that implored workers not to become “hired murderers.” Sold from their Swanson Street office, the booklet insisted, “Those who own the country [should] do the fighting! Let the workers remain home and enjoy what they produce.” After being distributed at the Buckle Street Drill Hall in Wellington, the booklet was forwarded to Solicitor-General John Salmond. Salmond urged for war regulations to be extended so that immediate powers would be available to punish those responsible for such “mischievous publications.”

MP John Hornsby also raised concerns about IWW ephemera in Parliament, decrying the “circulation in this country of pamphlets of a particularly obnoxious and deplorable nature, emanating from an organization known as the Independent World’s Workers [sic]—commonly referred to as the IWW.” Hornsby asked whether immediate steps would be taken “to prevent the circulation through the post of the harmful publications in connection with the propaganda of this anarchial [sic] society—a society which openly preached sabotage, which meant in plain English, assassination and destruction of property?” The resulting Order in Council of 20 September 1915 specifically prohibited “the importation into New Zealand of the newspapers called Direct Action and Solidarity, and all other printed matter published by or on behalf of the society known as ‘The Industrial Workers of the World.’”

Reason and Revolt, http://www.reasoninrevolt.net.au/
Direct Action was a lively newspaper published by the Australian IWW that found its way to New Zealand via seamen crossing the Tasman, or by mail. Two months after the Order of Council was in place, the Post and Telegraph Department reported the withholding of “14 single copies [of] Direct Action; 2 bundles [of] Direct Action;” as well as “6 bundles [of] Solidarity.” A number of these copies were then used by Police to chase up New Zealand subscribers listed in its columns. In December 1915 detectives in Auckland, Napier and Wellington hunted for a subscriber listed as Erickson. At first they thought he was a Wellington socialist named Frederickson, but soon concluded he was in fact Carl Erickson, a casual labourer and friend of Wellington anarchist Philip Josephs (who was also a Direct Action subscriber). The Police report noted that both men had donated to the Barker Defence Fund, set up after Tom Barker was convicted for publishing an anti-war cartoon in Direct Action.

The military also used a 1915 edition of Direct Action to investigate the Workers’ University Direct Action Group, a ‘workers university’ that had been set up by Auckland Wobblies. According to Direct Action, lessons dealt with “economics, biology, physiology, Social Democrat fallacies, State Ownership ie State Capitalism fakes, Law and Authority Bluff, the anarchist doctrines of ‘Total Abstention’” and “scientific sabotage, the most potent weapon of the intelligent militant minority.” They also had IWW literature on hand for the ‘worker students’. After their Queen Street landlord forced the workers’ university to disband, its members were lucky to escape imprisonment (if they did at all).

P12. Archives New Zealand, Wellington, New Zealand
One radical who was not let off the hook was prominent 1913 striker Charles Johnson. When Johnson was arrested in 1917 and found to have “an enormous amount of IWW literature” in his possession, including three copies of Direct Action, the Chief Detective said “with the greatest confidence” that “this man is a danger to the community.” Johnson asked to be let off with a fine; the magistrate replied, “Oh, I can’t let you off with a fine in these conditions.” He was sentenced to twelve months imprisonment with hard labour.

Censorship of correspondence

As well as the suppression of IWW publications, war regulations also made it illegal to “incite, encourage, advice or advocate violence, lawlessness and disorder, or express any seditious intention.” What exactly constituted a “seditious intention” was interpreted broadly by the state, and included the contents of private correspondence.
Both Customs and the Post and Telegraph Department had a number of censors working within their ranks, the latter including the Deputy Chief Censor, William Tanner. But it was the military that managed censorship during the War. Tanner and other censors located across the country answered directly to Colonel Charles Gibbon, who was both Chief Censor and Chief of the General Staff of the New Zealand Military Forces. Postal censors were mostly officers of the Post Office and worked in the same building “as a matter of convenience”, but censors acted “under the instructions of the Military censor. As a result, the Defence Department’s earlier interest in the monitoring of agitators carried over to agitation of the handwritten kind.

PM9 Box 3 10. Archives New Zealand, Wellington, New Zealand
“During the course of the late war,” wrote Tanner:
it was considered necessary to examine secretly the correspondence of certain persons who were supposed to be disaffected, and who were working to defeat the efforts of the New Zealand Government in meeting its obligations regarding the war by advocating [the] ‘go slow’ or inciting to resist the Military Service Act.
Instructed to “suppress whatever was of a seditious or treasonable nature,” Tanner believed his work “gave the Police the necessary opening… to break up the organizations whilst still in the act of formation.”

(Image) Caroline Josephs. (Letters) AD10 Box 10 19/16. Archives New Zealand, Wellington, New Zealand
One of those under Tanner’s watchful gaze was the Wellington anarchist Philip Josephs. After letters to US anarchist Emma Goldman were spotted in October 1915, Josephs was arrested and “detained all day in the ‘cooler’ until 4 o’clock in the afternoon,” when he was released without being charged. While Josephs was in police custody, two detectives searched his shop in Cuba Street and took possession of all books and papers on anarchism found on the premises. They then repeated their search at his Khandallah home.

As well as holding a considerable stash of anarchist literature, it appears Josephs’ shop had been the Wellington Local of the IWW. Police found “a number of unused official membership books, rubber stamps, and other gear used in connection with that constitution,” as well as IWW correspondence, pamphlets and papers.

One such correspondent was the Christchurch Wobbly, Syd Kingsford. Two Police reports show that he was put under surveillance, while the chief military censor, Colonel Gibbon, made sure his correspondence was also censored.

AD10 Box 10 19/16. Archives New Zealand, Wellington, New Zealand
Another was J Sweeny, a Blenheim-based labourer who was writing to Josephs to order anarchist newspapers. In a letter that never reached its destination, Sweeny asked Josephs to “remember me to the Direct Action Rebels in Wellington,” indicating there were still Wobblies active in the capital at that time. With typical Wobbly flair, Sweeney signed his letter: “Yours for Direct Action. No Political Dope.”

Other censored letters written by an Auckland Wobbly, William Bell, give a sense of the level of surveillance put in place by the state. “The Johns and military pimps are on the look out for the correspondence of men known in our movement,” wrote Bell, who was trying to secure a dummy address “for the purposes of ordering leaflets without an imprint for secret distribution at this end of New Zealand.” Also mentioned in Bell’s letter was “a private meeting of picked trusted militants” due to take place at his bach, confirming that Auckland Wobblies were still active in mid-1917, albeit discreetly. Obviously Bell was not discreet enough. He was arrested and sentenced to eleven months imprisonment.

(During his hearing, Bell provoked laughter in the courtroom. When the magistrate, referring to a comment in Bell’s letter, asked him what a ‘snide-sneak’ was, Bell replied: “A man who plays both ways. We have plenty in the Labor movement, unfortunately”).

Seditious soapboxing

P12. Archives New Zealand, Wellington, New Zealand
The war regulations used against those in possession of seditious correspondence also targeted the spoken word. ‘Rabid Orator’ and past Committee member of the Wellington IWW, Joseph Herbert Jones, was imprisoned for sedition in January 1917 after soapboxing to 500 people in Dixon Street, Wellington. “I want the working class to say to the masters,” said Jones, “we don’t want war. We won’t go to the war.” During his court appearance Jones read a long and ‘inflammatory’ poem that received applause from onlookers in the court. The judge was not impressed, nor did he share Jones’ view that all he had done was defend the interests of his fellow-workers. He was sentenced to twelve months imprisonment with hard labour.

P12. Archives New Zealand, Wellington, New Zealand
 Another radical to be jailed for 12 months was William Parker, a watersider who told a Wellington crowd in 1917 that the only way to stop conscription was with a general strike. In 1919 Parker was in court again, having distributed locally produced flyers promoting the go slow, the lockout of the oppressors, and building a new society in the shell of the old. After amusing the large crowd of watersiders in the back of the court by “verbally annihilating His Worship”, Parker was sentenced to 12 months for ‘IWWism’ (sedition).

For a few in power, the jailing of Wobblies was not enough. In 1917 MP Vernon Reed asked in Parliament whether Prime Minister Massey had considered the provisions of the Unlawful Associations Amendment Bill introduced in Australia, “aiming at the destruction of the IWW and kindred institutions, and providing for the deportation of undesirables; and whether he will introduce into Parliament a measure having similar objects?” In reply, Massey stated that such a law was under consideration. The eventual result was the 1919 Undesirable Immigrants Exclusion Act, of which more below.

AD10 Box 4 11/5. Archives New Zealand, Wellington, New Zealand
 Wobblies not already in jail were kept under close surveillance during the later years of the war. In October 1918 the Defence Department had their eyes on Nita aka Lila Freeman, a female wobbly active in Wellington. Correspondence of “an anti-conscriptionist and seditious nature” between Nita and a fellow wobbly named ‘Don’ was discovered by the military censor, which sparked further surveillance. ‘Don’ had been giving classes on political economy and socialism in Blackball, and it was hoped ascertaining their identities would lead to arrests: “in all probability the woman will be arrested on some charge at an early date,” noted the file.

Although it appears Nita Freeman was never arrested, by the war’s end 287 people had been charged with sedition or disloyalty—208 were convicted and 71 sent to prison. That many Wobblies were among those arrested is hardly surprising, considering their radical opposition to militarism and direct action tactics.

Post-war surveillance


Despite the cease of hostilities in Europe, surveillance of the IWW did not end with the First World War. Industrial unrest and social revolution immediately after the war’s end was a deeply entrenched concern for the New Zealand Government. The Bolshevik Revolution in 1917, coupled with unrest around the globe in 1918-1919, was seen as potential source of increased revolutionary activity in New Zealand. Bolshevism would now compete with the IWW for the state’s attention, and for the title of New Zealand’s favourite scapegoat.

As well as international upheavals such as mutinous soldiers, police strikes and the downfall of various regimes, the cost of living and dissatisfied returned servicemen were also seen as catalysts to major unrest. The government passed a range of anti-firearms laws, and watched closely the rhetoric of political parties like the New Zealand Labour Party and the Communist Party of New Zealand.


The state also kept tabs on the second wave of syndicalist organizations, such as the Alliance of Labour and the One Big Union Council. Formed in 1919 to promote class solidarity between watersiders, seamen, miners and railway workers, the Alliance of Labour was decried by the Reform government as nothing less than the IWW in disguise. Indeed, their promotion of direct action and rejection of parliamentary politics saw them align with the IWW, causing the Employers Federation to lament the “lawless tendency on the part of Extreme labour.” In the end however, the Alliance failed to live up to its revolutionary rhetoric.

In Auckland, Wobblies like Bill Murdoch, George Phillips and Leo Woods helped to form the One Big Union Council. Leo Woods had sat on the Thames strike committee during the 1913 Great Strike, and in 1917 was thrown into what he called “one of Massey’s concentration camps, Kiangaroa Prison Camp,” for 18 months. After his release, Woods became the literary secretary of the One Big Union Council and was delegated to smuggle banned literature from Sydney. He would go on to co-found the Communist Party in 1921. The secretary of the Council was former wartime-secretary of the Auckland IWW, George Phillips, who, like Woods, had been jailed for refusing to be conscripted.


For those in power monitoring these developments, the possibility of a general strike seemed imminent. Recorded industrial disputes had risen from 8 in 1915 to 75 in 1921. As a result, Prime Minister Massey urged his party faithful to “secure good men to stem the tide of Anarchy and Bolshevism.” This radical tide, complained Massey, “is worse than folly… the matter must be taken in hand and stopped.”


Massey’s red baiting had significant support from a number of high profile allies. The Protestant Political Association, led by the vehement Reverend Howard Elliot, vowed to oppose “Bolshevism and ‘IWWism’ in every shape and form.” Also active was the New Zealand Welfare League, formed in July 1919 for the express purpose of curbing the activities of revolutionary labour, IWW doctrines, and Bolshevism. The League’s active press campaign featured newspaper articles on the IWW and their “criminal” attitudes towards work, property rights, and state authority.

The red scare whipped up by conservative interests allowed the state to extend its wartime grip into peacetime. Tanner was kept on as censor in July 1919 by Defence Minister Allen, who wrote to Massey that, “a good deal of valuable information comes to the government through the medium of the censor, and it was thought wise not to lose this information.” The war regulations that created Tanner’s job were also extended under the War Regulations Continuance Act of 1920 (which was not repealed until 1947).

Other forms of surveillance continued apace. In his history of the New Zealand Police Force, Graham Dunstall notes that in January 1919, Police Commissioner John O’Donovan sent a confidential memo to officers across New Zealand:
“In the view that considerable industrial and other unrest is reported from other countries and may extend to this Dominion it is necessary that special precautions be taken to keep in touch with the movements and actions of persons of revolutionary tendencies who are already here, or who may arrive” 
Meetings of radicals continued to be attended by police and fortnightly reports were sent to Police Headquarters. Detectives in each district systemised this work by compiling an index of individuals who had “extreme revolutionary socialistic or IWW ideas.”

P12. Archives New Zealand, Wellington, New Zealand
One Wobbly to be caught in this post-war net was Henry Murphy, an Australian labourer based in Auckland. In April 1919 Murphy wrote to a fellow worker in Australia that military deserters were being picked up every day; detectives “run the rule” over passengers arriving by ship; and that two Wobblies, “Nugget and Scrotty,” had been “turned back”. The letter was intercepted by a censor and handed to police. “Murphy appears to be a dangerous character of the IWW type,” noted the censor. “He is an admirer of the Bolsheviks and is gradually drifting towards anarchy, revolution and outrage… his hatred of work is one of the traits of the IWW character.” Murphy was hauled before the court for failing to register as a reservist under the Military Service Act, where he declared, “anti-militarists have done more for democracy than all the soldiers who went to Europe.” He was sentenced to 14 days hard labour and was due to be deported under the war regulations, but instead he agreed to leave New Zealand voluntarily.

Deporting ‘undesirables’

Murphy’s ‘voluntary’ deportation foreshadowed a law change designed to further extend the state’s reach over radicalism. In November of that year, the Undesirable Immigrant Exclusion Act was passed into law. This Act gave the Attorney-General power to single-handedly deport anyone whom he deemed "disaffected or disloyal, or of such a character that his presence would be injurious to the peace, order, and good Government" of New Zealand. He could also prevent anyone landing in the country, which meant Customs and Police further cemented their wartime responsibilities of monitoring the harbours.

However the Defence Department was kept in the loop by having copies of every alien identity certificate sent to them. The military would then match these certificates up to their own black list of “revolutionary agents and undesirables.”

According to Massey, the Undesirable Immigrant Exclusion Act would be used against those who “favour Bolshevism and IWWism.” It was soon put to good effect. Two Wobblies named Nolan and McIntyre were prevented from landing in New Zealand and promptly sent on their way to Sydney – their fares paid by the government. But one Wobbly who wouldn’t go quietly was the Australian seaman and returned serviceman, Noel Lyons.

http://trove.nla.gov.au/work/184714486
In May 1925 seamen on board the SS Manuka refused to leave Wellington until their food was improved. However as the Union Steamship Company made clear to reporters, the real issue was “the deliberate attempt to institute job control” via the go slow. Using the pretext of IWW literature and posters found on board the ship, Lyons was read the Undesirable Immigrant Exclusion Act and given 28 days to leave New Zealand. Instead, Lyons and the crew walked off their Sydney-bound vessel singing ‘Solidarity Forever,’ and convened a meeting at the Communist Hall.

300 people packed into the Manners Street Hall to hear Lyons speak about the ‘ham and egg’ strike. “I have been described as a paid agitator,” argued Lyons, “but it is a well known fact that all who take an active part in attempting to better the condition of the worker… develop whiskers overnight, and appear as a Bolshevik.” Despite resolutions of protest from numerous unions, Lyons was imprisoned for two weeks before being shipped to Australia. On his arrival Lyons made the most of what the NZ Truth called ‘the new spasm of [the] IWW,” organising mass meetings and reviving the Sydney IWW.

The deportation of Lyons highlights how the authorities would pick and choose when someone was to be considered a New Zealander, a British subject, or foreign immigrant. The Reform government’s loyalty to Empire and their making of the world ‘safe for democracy’ did not seem to contradict the deportation of British subjects. “New Zealand is more conservative than England,” noted Lyons on his arrival in Sydney. “They regarded me as a foreigner… It is too funny for words. When I was on my to France as an Australian solider, they did not say I was an undesirable… But now, when I put up a bit of a fight for humanity, they turn me out of the country.”

Conclusion

Noel Lyons was not the only radical to be deported in the post-war years, nor was he the first. But his case is indicative of the systematic surveillance put in place after the First World War, and the attitude of the New Zealand government towards the IWW. Although this treatment pales in comparison to the violence and mass deportations inflicted on the American IWW, the National Coalition and Reform governments clearly felt threatened. Class struggle and revolution from below; the flouting of law; the go-slow and the disregard shown to the work ethic; such tactics called into question the social relationships needed for capitalism and the state to function. As a result, the Defence, Police, and Customs Departments, as well as scores of legislation, was used to ensure the IWW never regained its pre-war strength.

Obviously the IWW formed but a tiny part of the working-class radicalism of the day, and the IWW label was thrown about rather hysterically. This makes the identification of Wobblies during the war even harder. However the actions of the IWW during 1915-1925, and the reaction to them by the state, indicates a discernible legacy of IWW radicalism in New Zealand—one that reached well beyond the Great Strike of 1913. While it is hard to measure their precise influence on the local labour movement, I hope the examples above help to question what Kerry Taylor has called the “premature obituary” of the IWW and revolutionary syndicalism in New Zealand.


SOURCES
 Records at Archives New Zealand - Army Department, Customs Department, Post and Telegraph Department, Department of Internal Affairs, Police Gazettes, Old Police Records, Sir James Allen Papers, Prime Ministers' Department
Records at the Alexander Turnbull Library - Bert Roth Collection, Papers Past
New Zealand Parliamentary Debates
New Zealand Gazette
New Zealand Official Yearbooks
Burgmann, Verity, Revolutionary Industrial Unionism – the Industrial Workers of the World in Australia, Melbourne, 1995
Davidson, Jared, Remains to Be Seen: Tracing Joe Hill's Ashes in New Zealand, Rebel Press, 2011
Davidson, Jared, Sewing Freedom: Philip Josephs, Transnationalism & Early New Zealand Anarchism, AK Press, 2013
Derby, Mark, 'Towards a Transnational Study of New Zealand Links with the Wobblies'
Dunstall, Graeme, Policeman's Paradise? Policing a Stable Society, 1917-1945, Dunmore Press, 1999
Eldred-Grigg, Stevan, The Great Wrong War: New Zealand Society in WW1, Random House New Zealand, 2010
Gustafson, Barry, Labour's Path to Political Independence: Origins and Establishment of the New Zealand Labour Party, 1900-19, Auckland University Press, 1980
Hill, Richard, The Iron Hand in the Velvet Glove: The modernisation of policing in New Zealand 1886-1917, Dunmore Press, 1996
Moriarty-Patten, Stuart, “A World to Win, a Hell to Lose: The Industrial Workers of the World in Early Twentieth Century New Zealand,” Thesis, Massey University, 2012
Olssen, Erik, The Red Feds – revolutionary industrial unionism and the NZ Federation of Labour 1908-1913, Auckland 1988
Roth, Herbert, Trade Unions in New Zealand: Past and Present, A. H. and A. W. Reed, 1973

Thursday, September 26, 2013

Radical and union posters now digitised!


From VIC: Victoria University of Wellington Library (New Zealand) is pleased to announce that the Dan Long Union Library Poster Collection and the Therese O’Connell Poster Collection are now online, complete with digital images of almost all the posters. To browse the collections, please follow the hyperlinks given above and then the various links on the webpages. To search for particular items, click the “Find” button near the top of the screen and select the appropriate fields (to search for names, select “Scope and Contents” and “Index terms”). The large digital images can be viewed by going to the individual poster records and then clicking on the thumbnails.

We hope you have a chance to peruse these collections and enjoy the fabulous posters!
http://library.victoria.ac.nz/library/collections/jcbr/findingaids/image.html?p=dlpc&r=ref155

Wednesday, April 17, 2013

Sewing Freedom book launch: Wellington, 15 May

Sewing_Freedom_launch

Jared Davidson, AK Press, and the Museum of Wellington City & Sea invite you to the launch of Sewing Freedom, a new book on early anarchism and labour history in New Zealand.

Sewing Freedom works on several levels. It is a meticulous biography, a portrait of an era, a sophisticated discussion of anarchist philosophy and activism, and an evocation of radical lives and ideas in their context. Davidson has designed a fresh, crisp book with visual impact, nicely enhanced by Alec Icky Dunn’s wonderful sketches... This beautifully-executed book tells an important story in New Zealand’s political history.” - Chris Brickell, Associate Professor of Gender Studies at Otago University and author of Mates and Lovers


ABOUT THE BOOK:

Sewing Freedom
is the first in-depth study of anarchism in New Zealand during the turbulent years of the early 20th century—a time of wildcat strikes, industrial warfare and a radical working class counter-culture. Interweaving biography, cultural history and an array of archival sources, this engaging account unravels the anarchist-cum-bomber stereotype by piecing together the life of Philip Josephs—a Latvian-born Jewish tailor, anti-militarist and founder of the Wellington Freedom Group. Anarchists like Josephs not only existed in the ‘Workingman’s Paradise’ that was New Zealand, but were a lively part of its labour movement and the class struggle that swept through the country, imparting uncredited influence and ideas. Sewing Freedom places this neglected movement within the global anarchist upsurge, and unearths the colourful activities of New Zealand’s most radical advocates for social and economic change.
More information on the book, a sampler, and reviews, can be found at www.sewingfreedom.org


ABOUT THE LAUNCH:

WHEN: Wednesday 15 May - 5.30PM
WHERE: The Boardroom, Museum of Wellington City & Sea, Queens Wharf, Jervois Quay

Books will be on sale for $15 cash on the night.
Free entry. Nibbles and drinks provided.


ABOUT THE SPEAKERS:
Jared Davidson is an archivist at Archives New Zealand, a member of the Labour History Project, and author of Sewing Freedom. His first book, Remains to be Seen: Tracing Joe Hill's Ashes in New Zealand, was published in 2011.

Barry Pateman is an anarchist historian, Kate Sharpley Library archivist, and Associate Editor of The Emma Goldman Papers (USA). A prolific editor and writer, he has been involved in a number of projects and publications, including Chomsky on Anarchism, A History of the French Anarchist Movement, Emma Goldman: A Documentary History of the American Years, and Anarchist Voices: An Oral History of Anarchism in America.

Mark Derby is the Chair of the Labour History Project and an extensively-published writer and historian, having worked for the Waitangi Tribunal; the PSA; Te Ara, the online encyclopedia of New Zealand; and as South Pacific correspondent for Journal Expresso, Portugal's leading newspaper. His books include The Prophet and the Policeman: The story of Rua Kenana and John Cullen, and Kiwi Companeros, on New Zealand and the Spanish Civil War.

http://www.akpress.org/
http://www.museumswellington.org.nz/museum-of-wellington-city-and-sea/
http://sewingfreedom.org/

Tuesday, February 5, 2013

Inside story: Alec ‘Icky’ Dunn on his illustrations for Sewing Freedom






Printmaker, writer and Justseeds member Alec Dunn shares his process for illustrating Sewing Freedom. More of his amazing work can (and should) be viewed at his own blog: http://blackoutprint.tumblr.com/

About a year ago I received an email from Jared asking if I’d be interested in illustrating a book he was working on about early New Zealand anarchism. I knew Jared through political art circles, and knew him to be a great designer, producing sharp and tight graphics. I also knew him to be thoughtful about his practice. His politics, graphics, and writing informed one another. So when he asked me to participate in this book I was flattered and agreed right away.

I got a copy of the text, read through it, and began making notes about what stuck out to me visually for each chapter. I did some preliminary sketches and sent these to him as well as a list of ideas for other chapters, just to see if we were on the same page. I originally envisioned the illustrations as sitting on top of the chapter title. I wanted simplistic black and white drawings, and I wanted them to float above the words, no borders, and going full bleed to the edge of the page. That was the first idea at least. I had two, kind of wildly different, approaches to doing this: one was line drawings of the landscapes that Philip Josephs moved through, throughout his life; the other idea, heavily influenced by Gerd Arntz (the German socialist graphic designer who helped create pictograms), would have been a series of generic looking people to represent the different industries and persons involved in the anarchist movement in New Zealand at the time.

We ended up veering more towards the landscapes. And from there I started assembling reference and source images to work from.
Inline image 1
The first one I did was of an agitator speaking before a crowd. I didn’t have a New Zealand source image for this (the image above is from London), but I am familiar with the time and setting and have looked at plenty of pictures from my hometown (Portland, Oregon, US) from the same era. The thing that I always liked about images from protests of that period was the hats. In all those old photographs everyone has a hat, and at labor protests and rallies it was just a sea of hats. So I went with this and decided to make the hats as abstract as possible, with the only delineation being the various hat bands and shawls. The speaker to me was a secondary consideration (and he inadvertently ended up vaguely resembling Josephs).
Inline image 2
From there I worked in order of the book (and chronologically followed Josephs’ life). I did a google image search for ‘Liepaja, 1900, Harbor’ and found a nice colorized postcard. My drawing you can see is almost a direct reproduction. I really liked the pattern of the ship masts and the implication of emigration.
Inline image 3
For the Gorbals neighborhood in Glasgow, I did the same thing, though I may have searched ‘Gorbals, tenements, slums, 1900′. There were a few nice pictures, but the line of tenements, their specific roof-top constructions (I don’t even know the purpose of those bastion-like elements), and their chimneys reads to a very specific geographic place to me.
Inline image 4
I didn’t want them all to be landscapes, so for the next one I focused on his history as a tailor. In any of the images of labor protests from that era there are always a few fabulously-embroidered banners that people are carrying, with symbols from their unions or mottos of their organizations. This one I just did free form.
Inline image 7
And finally I wanted to do a picture of the Te Aro neighborhood in Wellington. I’ve never been to New Zealand, so I used google again, although this time I did street view to find the street where Joseph’s lived. I have a print by Kathe Kollwitz in my apartment called the Four Men In A Tavern, and it’s a silhouette of conspiratorial men. This was an inspiration, I imagined a night scene in Joseph’s house, people plotting something or discussing a pamphlet. Something about this wasn’t working though, but I sent the sketches to Jared to see what he’d think.
Inline image 6
At this point Jared began sending me photos to look through (he wasn’t neglecting me before—I think we agreed to see what was working before I got any specific images from him). There was a great backyard shot of Te Aro that I used as a basis for the final Te Aro drawing and I added in a guy having a smoke and woman hanging laundry.
Inline image 8
Jared sent me a ton of images from New Zealand’s Great Strike of 1913. I tried to go back to an almost flat image of a banner and a man marching—but it kind of sucked! I liked the action of the picture of the cops charging and took the drawing from there. At this point, I still thought that these images would float above the chapter titles.
Inline image 9
The Runanga Miners’ hall was pretty straight forward.
At this point I think Jared decided to go full page with these, and my random dimensions (mostly, but not all, horizontally based) changed to standard (vertical) page dimensions (though, by then, there weren’t that many left to do).
Inline image 10
For the chapter titled ‘Workingman’s Paradise’ I wanted some kind of imagery based on the pictures of miners and lumberjacks that Jared had sent me. I loved this one picture with a bunch of lumberjacks (and one little kid) standing around a giant stump with a banner that said “Lucky Hit”. This ended up being the basis of the image I drew, but I went in a little different direction.
Inline image 11
And the final image I made was of Josephs himself. Jared sent me a portrait of the agitator as a young man (he was handsome one!). I did a few sketches of this. The one I liked—I think the hatching fit in with the more architectural drawings—made him look a little sinister (whereas in the picture he looks kind of charming and pensive). I changed the background on this but it didn’t really change it much. I’m a little embarrassed to say that I eventually threw it into illustrator and abstracted it out a little, which I liked! and which also softened the image some.
Inline image 12
Finally, Jared took the original image of the generic tailor ran with it and, I think, made a great cover.

Friday, August 17, 2012

'Sewing Freedom' and early NZ anarchism on Facebook


I've created a Facebook page so that anyone interested can follow the progress of 'Sewing Freedom', my forthcoming book on anarchism in New Zealand. Goodies from the book, pictures, and extra bits of research that never found a home will be shared there. Have a peek and click 'Like': http://www.facebook.com/SewingFreedom

Friday, July 20, 2012

The Repeal: anti-militarist journal (1913-1914)


Published from March 1913 to August 1914, the Repeal was the journal of the militant Passive Resisters Union, an organization against militarism that formed in Addignton, CHCH in 1912. For a PDF on the PRU click here.